Eurovision introduces Code of Conduct, “No Filming Zones.”

Changes are coming to the Eurovision Song Contest after the 2024 in Malmö drew headlines for incidents outside of celebrating music.

Malmö 2024 saw protests against Israel’s participation, withdrawal threats before the Grand Final, audience booing and a historic disqualification of Netherlands’ artist Joost Klein.

Now the European Broadcasting Union has announced a series of enhancements aimed at safeguarding participant wellbeing, ensuring positive experiences for artists and delegations, and promoting the core values of community, respect, and inclusion.

These include the introduction of a new Code of Conduct and Duty of Care Protocol, based on the existing rules and contracts, which will ensure clear roles and responsibilities for all those involved in the event.

For the first time, agreeing to abide by the Code of Conduct will be a requirement for accreditation to the event.

The Code of Conduct mandates adherence to local laws, prohibits instrumentalisation of the Contest and outlines expectations for professional behaviour, fair competition, and responsible communication.

The Duty of Care Protocol is focused on ensuring the safety, well-being, and success of all participating artists.

It emphasises the shared responsibility of the EBU, Host Broadcaster, and Participating Broadcasters in safeguarding artists from unnecessary physical or emotional distress. The Protocol provides guidelines for Heads of Delegations to support artists effectively, minimise risks, and promote a positive experience throughout their participation.

The EBU is also implementing new measures at the 2024 ESC in Basel.

These include:

• No filming zones within key artist areas to provide participants with private spaces to prepare for their performances.
• More closed-door rehearsals to help artists focus on their performances without distractions.
• Optimised rehearsal schedules to ensure artists have plenty of time to rest and to enjoy the Host City
• Introduction of a Welfare Producer to be a key point of contact for artists and staff to ensure a safe, respectful, and supportive environment.

These changes are designed to ensure that artists are confident on stage before performing to media and audiences.

“In 2024, 163 million viewers saw the ESC on TV. Our digital platforms also experienced exponential growth. These successes reinforce the need to continually adapt the show’s structure to meet the evolving demands of both participants and audiences,” said Martin Green, the new ESC Director.

“We are United by Music – it’s up to all of us to ensure the Eurovision Song Contest remains an event that promotes unity, diversity and inclusion.

“We believe the changes we’re making for Basel 2025 make the Eurovision Song Contest the best experience it can be for our participants, our staff, and our audiences.”

Bakel Walden, Chair of the ESC Reference Group, the Contest’s governing board added “These new measures, which will be implemented for the Eurovision Song Contest 2025 in Basel, are a first, important step to ensure the successful and responsible development of this iconic music event.”

“On behalf of all participating artists, delegations, and staff members, the Reference Group remains firmly committed to championing a positive, creative, and safe Eurovision Song Contest in an ever-changing global landscape.”