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Red Flag: Music’s Failed Revolution

Gold Coast-based start-up Guvera tried to rid the planet of the scourge of music piracy, but as Marc Fennell explains, it was plagued behind the scenes.

If you’ve watched any of Marc Fennell’s recent documentaries by now you’ll have noticed a narrative style that teases, prods and grabs your intrigue usually from a story you’ve probably never heard about.

The Kingdom, The Mission, Came from Nowhere, Framed may all read investigative journalism on the tin, but Fennell rather cleverly presents them as detective stories, going down the rabbit hole of a tale you can barely believe…

Frankly, it’s a mystery itself why he hasn’t been snaffled by the likes of Netflix, Prime or Stan to make docos exclusively for the premium doco market.

The latest is Red Flag: Music’s Failed Revolution, a double-feature look into the rise and fall of Gold Coast-based music start-up, Guvera. Based on the Gold Coast it boldly landed upon a business model to solve the threat of music piracy giant Napster.

Swedish-Australian co-founder Claes Loberg conceived the idea that advertising could pay for “free” music downloads -years before Spotify.

It was a three-way model that depended upon consumers, music labels and advertisers. Loberg, who had long-flowing hair, wore cowboy boots, sported tatts and rode a Harley Davidson, co-founded Guvera with ex-bank employee turned computer expert, Brad Christiansen. While they were indeed an odd couple, it worked for the formation of the company in 2008 with plans to raise $50m. The company name, a riff on Argentinian guerrilla Che Guevara, and slogan ‘F*** Pirates’ were designed to disrupt the tsunami of MP3 file-sharing.

“What if you as the pirate could get your music for free without your artist suffering?”

Fennell speaks to Christiansen along with former Guvera staff about the giddy heights of corporate launches, splashy media coverage, big promises and an optimistic uptake.

Raising the money behind the scenes was Darren Herft, part of AMMA Private Investment, portrayed here as a rising entrepreneur / suit, who joined the co-founders in a Board of 3.

Both EMI and Universal came on board for the 2010 launch where the likes of Alice Cooper, Mos Def, and later Jessie J. would lend their starpower in US events. On the outside Guvera was going places with an app and streaming to follow.

But as Fennell documents there were deep problems behind the scenes, burning through money, struggling to get advertisers, unpaid bills and a thwarted attempt to float on the stock exchange.

There are ghastly tales of trying to distance Christiansen from his own company -he was given a false address for a principals’ photo shoot. Clumsy marketing ideas sent assets in a box that resembled a bomb, meaning many went unopened. And there were horror stories of what private investors were put through.

Also speaking are journalists linked to Rolling Stone, Australian Financial Review, musician Ben Lee, alongside archival clips from Australian and US TV all talking up the Aussie disruptor.

Absent is Claes Loberg who passed away in mid 2023, but also Darren Herft whose lawyers sent a brief statement. Ouch. SBS lawyers must have had a field day with this doco.

Fennell always peppers his narratives with energy, pace, humour, fast edits, cool music, and mystery which speak to a young/ish audience. Here that pace is frenetic to the point of most interviews being presented as single questions (I swear I saw him seated in one chair with two interviewees answering at different locations). The story and the material is strong, but it needs to take a little more time to linger on the unravelling before streaking off to the next plot point punctuated by skylines, partying, iPods and cool shoes.

At two episodes it is also on the long side, getting down in the reeds on the machinations of IPOs, regulatory compliance, shares. But Fennell is at his best when he builds up to a gob-smacking revelation, and there are quite a few in this sorry tale. He’s also insightful with left-of-field questions about people’s character or something to tap into their mood.

Red Flag: Music’s Failed Revolution takes you back to recent music history with a sense of gullible nostalgia skewered into audacious ambitions and business acumen (or the lack of it). It serves as a cautionary tale where hindsight offers us a rollercoaster ride from the safety of our sofa. Remember when next you are turning on Spotify.

Red Flag: Music’s Failed Revolution screens 8:35pm Tuesday October 15 / 22 on SBS

5 Responses

  1. I found it weird that most of the interviews were shot in 22:9 wide-screen. A lot of scripted drama does this, but a first time for a made for TV doco.

  2. Marc Fennell is brilliant in everything he does. He’s not just a neutral autocue presenter, he actually has ideas and research and his own individual voice and he’s a fantastic interviewer and storyteller.

    1. Hear, hear. A great unutilised talent. His radio shows on technology are also a great piece of simple story-telling that makes new technology and its implications easy for this old man to understand.

      To guess why Marc hasn’t been snaffled by the likes of Netflix, Prime or Stan to make docos exclusively for the premium doco market – my guess is that he likes the quirky space he currently occupies.

  3. Guvera…that brings back memories. I joined up to it. Can’t remember how I heard about it. I was probably investigating various music related websites and stumbled upon it (ReverbNation is another one from the about the same time).
    I do remember the music catalogue was not that big.
    Think I poked around a for a couple of weeks on it and after that never logged into it again.
    Probably have my id and password to it somewhere still on a document on a hard drive somewhere.

    1. I still have emails in my inbox: “As the official music streaming partner for The Voice 2015, Guvera offers unlimited streaming at zero cost. In an Australian first, Guvera is delivering an exclusive Voice-branded music channel.”

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