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ABC boss backs media reform to protect Australian stories

Mark Scott floats the idea of a digital content fund and says govt & industry must act to ensure Australian stories are produced.

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ABC managing director Mark Scott has backed media reforms amid concerns inaction will not protect Australian storytelling.

Speaking at the inaugural Brian Johns Lecture at Macquarie University, last night, he said ABC alone could not produce Australian drama for audiences.

“I want to talk about the telling of Australian stories on television – particularly Australian drama,” he said.

“If we’ve learned anything from what’s happening to newsrooms and news products in Australia and around the world, it’s this: We must act when we have the warning signals that change is afoot. Now, as the pattern is emerging, is the time to consider it and perhaps, address it. While the problem is still ahead of us and before we reach tipping point, let’s start looking into a range of long-term solutions.

“Of course there will be an impact for shareholders and consequences for consumers—but there’s a bigger impact on our society and consequences that go to our sense of citizenship and identity.

“What’s most important now is that our policy makers—and the television and production industries themselves—turn their attention to this issue now.

“Australian television was once a comfortably closed market of three commercial providers and two public broadcasters, offering limited choices. Now, the providers have proliferated. Content choices once scarce, are now abundant, even overwhelming.

“We now have three subscription video-on-demand services and the ABC’s free video-on-demand service, iview. All complementing the ever expanding pay-TV and free-to-air offerings, plus streaming video via YouTube, Facebook and countless other online sources.

“We love House of Cards – and Orange is the New Black. We can’t believe how much there is to watch on our television sets. The best new content from all around the world delivered within seconds with the additional lure of rich, deep archives.

“But while we load up on our 30-day free trials and indulge in a seemingly endless fascination with serial cooking and renovation competitions, we should be examining what this change means in a broader cultural sense.”

He also backed media reform and floated the idea of Netflix, Google and Facebook contributing to a digital fund devoted to local content.

“We need to reassess the policy framework, ensuring it keeps pace with the profound shifts in the market triggered by digital technology,” he said.

“Governments must determine the best way to fund and regulate the industry to ensure that Australian storytelling remains vibrant and accessible.

“Traditionally, protection of local content has been achieved through a range of policy levers.

“Just as content makers need to look at new ways to satisfy audience demands, our legislators need to consider ways in which we might ensure desired cultural outcomes.

“The idea of a digital content fund, requiring new digital content companies, many of which dwarf their Australian competitors, to contribute a percentage of revenue to support local content requirements has been proposed. Let’s debate that.”

This week Scott flagged his departure from ABC in 2016.

You can read the full speech here.

5 Responses

  1. I am pleased Mark Scott will use his time as the outgoing MD of the ABC to make important speeches like this. As he points out the ABC cannot and should not be the only broadcaster commissioning premium Australian drama that costs $1M+ per hour. However, the ABC does have an important role to play in being the standard-bearer of both innovation and excellence, where ratings are not the only measure of success, that others can aspire to reach – like BBC Drama. It seems that Mark Scott has finally turned his attention to this issue and his insights can only be a good thing for the genre. For a long time the discussion was just about having some/any Australian drama on the ABC, but now is time to talk about quality and quantity – the two are inextricably linked.

  2. I will happily watch Aus content when it is of sufficient quality. Mediocre television no longer holds my interest. We’re prob never going to make something as good as House of Cards or Breaking Bad but I’d be happy if we made more of Glitch and Doctor Blake and less (actually none) juvenile rubbish like Hiding or Wild Boys.

    1. Bit of maths: AFL plays 248 games / season (including pre-season & finals). The latest deal is worth about $418 million/year. That’s a cost of about $1.65 million / game.

      Season average FTA viewers (for 2014) is 337,000.

      Them’s rough numbers – not all games are telecast (esp. pre-season), viewing average so far in 2015 is down ~6%, etc. But it’ll do…

      By comparison on Dr. Blake pulls ~900,000+ viewers, Miss Fisher pulls 800k-1000k, and both reputedly cost ~900k – 1.2 million/episode. No idea on the cost of Glitch, but it pulled ~500-700k (not counting iView).

      So those ABC series cost ~2/3 the price of a football game, yet managed 1.5-3.5 times as many viewers…

      (BTW, it doesn’t get much better if you include Pay TV – brings the ABC numbers down to 1.2-2.5 times the number of viewers/ep, but still 2/3 the price per game.)

      1. It’s certainly true that when viewed simply in terms of capital $ spent per viewer, major sport does not appear to give the same return as for decent drama. However, there is a significant amount of targeted advertising that can be sold during a two-hour football match on a commercial network (especially with the AFL where they can sneak in an ad after every goal). It also provides an excellent platform from which to advertise your other programs.

  3. Well done to Mark Scott for raising this and defending Australian story telling. Currently we have Netflix which doesn’t even “operate” in Australia with no staff and evades paying GST. They join a long list of multinational media companies, all united by a commitment to flood us with foreign content and no ongoing commitment to Australian drama. We need them to contribute, a legislated solution and we need it quickly. Otherwise our story telling will dwindle. These guys will fight like hell to stop it.

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